无为即保护%3a论民间俗信文艺的保护策略——以常熟地区宣卷活动为中心.pdfVIP

第31 卷 第 1 期 石河子大学学报(哲学社会科学版) Vol.31 No.1 20 17 年2 月 Journal of Shihezi University(Philosophy and Social Sciences) Feb 2017 URI ：http://kns ./kcms/detail/65. 1210 .C 1721.032.html 【非物质文化遗产·常熟宝卷】 无为即保护：论民间俗信文艺的保护策略 ———以常熟地区宣卷活动为中心 陈泳超 （北京大学 中文系，北京 100871 ） ［摘 要］所谓“俗信文艺”，是指与某一民俗信仰紧密相关的一切文艺活动。它们与民俗信仰一起，有 其自身的生命周期。以常熟地区宣卷为例，它的相关信仰活动从明代中期以来就基本没变，只是俗信文艺 的文体有所改换。清代中期以后宣卷兴起，虽屡经兴废，至今依然保持着旺盛的生命力，但同类文艺形式的 存亡命运却大有不同。“非遗”保护的核心是树立平等对待文化多样 这一价值观，保护的措施应限于“保 存”资料，至于延长“非遗”项目活态生命的任何“保护”努力，均属徒劳无益。对于政府行为而言，“无为即保 护”，这一原则适用于所有“非遗”项目。 ［关键词］俗信文艺；常熟；宣卷；非遗保护 ［中图分类号］G 122 ［文章标识码］A ［文章编号］167 1-0304(20 17)02-0090-06 “Doing Nothing also Means Protection”: The Protection Strategy about Literature and Arts of Folk-belief —— —In case of Baoj uan performance in Changshu CHEN Yong-chao Department of Chinese Language and Literature ，Beij ing University ，Haidian 100871 ，Beij ing, China ） Abstract: The literature and arts of folk-belief refer to all the activities closely linked with certain kind of folk-belief. They have their own life cycle together with folk-belief. Taking the Xuanjuan in Changshu for example, its belief has never changed from the middle of Ming Dynasty, except for its literary genre. The Xuanjuan activities grew up after the middle of Qing Dynasty. Although several frustrations were experienced ，it is still full of vitality which make its destiny quite different from other literature and arts. The essence of ICH protection is to establish a sense of worth which means to treat the cultural d