重庆森林分析(Chongqing forest analysis).docVIP

重庆森林分析(Chongqing forest analysis).doc

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重庆森林分析(Chongqing forest analysis)

重庆森林分析(Chongqing forest analysis) The most classic review of chongqing forest is released at: 2007-10-23:41 Wong so far, he completed a total of five individual plot feature films, all film by the director, and dominated by his work, such as photography can wind, art Zhang Shu copies, splicing Patrick tam, Zhang Shu etc., to create unity in the movie theme, style and form characteristics and evolution of a colour, wong kar-wai and therefore it may be said in Hong Kong and Taiwan director the authors style one of the strongest. The film began with the script, and Mr. Wong was good at writing the script, and laid down his superiority in the film industry. Generally a movie script, on the basis of writing characters and dialogue, constitute the basic elements of drama development and story texture, wong kar-wai shaping ability is dramatic characters, role often played soon, will set up the distinctive personality and characteristics. For example, in Chungking forest, the incessant muttering of the love policeman takeshi kaneshiro calls each other in his family to say hello. He bought a late-night snack for his girlfriend, but he didnt know what his girlfriend really liked to eat, Tony leung, and jingwen wang, the eccentric. Wong kar-wai skilled in design of special circumstances, such as Tony leung in Chungking express again and again to buy a snack with the boss and the answer, and his special living habits and behavior, and as takeshi kaneshiro eat canned pineapple. Through such habits and response to events, or long straight into the role of inner monologue to shape vivid characters immediately, this is to make his films can be begun soon grabbed the audience psychological trick. Long character inner monologue writing may spare schedule and wang xi in rolling big star, coupled with constant changes in the script, so production conditions, forcing him to the back stage, must have the scenes cut out of the movie, with a narrator cohesion, so the films of wong kar-wai,

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