电影和电视的融合（The integration of film and television）.docVIP

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2017-07-28 发布于河南
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电影和电视的融合（The integration of film and television）.doc

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电影和电视的融合（The integration of film and television）

电影和电视的融合（The integration of film and television） The integration of film and television If we take into consideration the movies on TV, video tape and CDs, the situation may be different. Although the number of people going to the cinema for some time has been reduced, the number of people actually watching movies has not decreased, and probably more than ever before. This is a phenomenon that is increasingly closely intertwined with the market economy of films, television, video tapes and other audio-visual products. In the late 1960s and early 70s, the big studios in Hollywood were faced with a severe economic crisis. By the end of the 80s, however, they had recovered their economic and financial well-being. The key factor in the shift was the gradual adaptation and development of the new video and toll television market in Hollywood studios. Income from these new sources soon surpassed the income from theatrical screenings. In 1980, earnings from theaters, both domestically and overseas, accounted for 76% of Hollywood studios annual revenues, but in 1990 these revenues accounted for only 32% of Hollywood studios annual revenues. By contrast, pay TV revenues rose from 4.8% to 9% in the same period. More dramatic: Video revenues rose from 1% to 45% (screen finance, 1993). (Note: see screen finance. Studio revenues will grow by 6.9% in 1993 (May 5, 1993, eighth - 13). Therefore, when the income of movie tickets in the same period declines in the United States and globally, it does not mean that the movie is not seen, but only means that it appears more on the small screen. This means that since 1895 the first public film screenings, film - whether on TV or on videotape - now more from the family is watching TV, rather than watching in the theater. So, this change is important? What is its significance for the understanding of the current situation of the film? In order to answer these questions, we should examine the relationship between the film and television deve