素描习作的方法与步骤(The methods and steps of sketch work).docVIP

素描习作的方法与步骤(The methods and steps of sketch work).doc

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素描习作的方法与步骤(The methods and steps of sketch work)

素描习作的方法与步骤(The methods and steps of sketch work) Sketch practice is a comprehensive process of feeling and comprehension. It has its own special rules and scientific and rigorous methods and procedures. Therefore, it is very important for the effectiveness of study to follow the rules and rules and conduct the sketch work in an orderly way. The methods and steps of sketch work are composed of the following parts: observation, composition, outline, shaping, big relationship, thorough characterization and finishing. Observation: first of all, we should really learn to observe objects, which is almost an extremely necessary and difficult point. While many paintings beginner students often ignore this point, also did not sit hurry to start painting, like that painting success mainly depends on the performance of hand work, or rely on knowledge and method of quantitative accumulation is very harmful, and gradually develop a kind of difficult to correct problems. It is not only conducive to solve problems in real terms, when we sketch practice: the whole process seems to be achieved by hand operation. But the hands have through the eyes of domination, control and restrict eyes to observe the brain but also by way of thinking. So there will be what kind of observation method what kind of performance results. Therefore, in sketch work, it is not only required to train with free hand skills and accurate and sharp eyesight, but more importantly, to train a well-trained whole consciousness and a holistic observation method. The overall method of observation, as the name suggests, is the object of the sketch exercise, the overall face of a comprehensive sense of perception. Specific methods can be divided into the following two aspects. 1. eyes see the horizon, the object is facing, rather than focusing the whole view alignment parts of an object, it is looking at the whole object to think in a daze, and blind to the details of each local. Because it can not be a partial view f

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