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电影声音切换和转场的音频剪辑技巧(Audio clip tips for movie sound switching and rotation).doc

电影声音切换和转场的音频剪辑技巧(Audio clip tips for movie sound switching and rotation).doc

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电影声音切换和转场的音频剪辑技巧(Audio clip tips for movie sound switching and rotation) Audio clip tips for movie sound switching and rotation The sound language is becoming more and more widely used in the film narration and ideation with the continuous updating and perfection of the pre-recording technology, the remixing technology and the final broadcast technology. Not only the dialogue, but also the music can control the audiences mood, the sound is derived from the life, but also independent of the common sense of the film and television sound elements in the commercial blockbuster status is becoming more and more important. But no matter how the filmmaking technology develops, the film, the art of dreaming, will not change, and the design of sound must follow the principle of zero editing. Dialogue, music, audio and video audio, by virtue of their respective commonalities and their respective characteristics, the films fragments, the natural connection becomes a unified whole. Compared with the visual elements, the audiences viewing psychology is more hidden, which is the charm of the sound of film and television. As we all know, film is a kind of audio-visual art with spatiality and timeliness. Audiences are attracted to big screen explosions, flying cars, and kisses, but they tend to take for granted the sound of a movie that lingers. Unlike the eyes, the human ear is an organ that has been receiving information, and perhaps this physical characteristic, which makes the sound in the movie covert, subtly controls the audiences subtle emotions. In todays era, after the scientific and technological revolution, the human society has gradually entered the industrialized society, the economy has developed rapidly, and the postmodern thought has been flooded. These social factors are represented in the artistic field: the artistic and commercial development of artworks is beginning to merge. At the beginning of the white film, the antagonism between the reappearance and the expr

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