电影声音录制的发展及原理（The development and principle of film sound recording）.doc

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电影声音录制的发展及原理（The development and principle of film sound recording）.doc

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电影声音录制的发展及原理（The development and principle of film sound recording） The development and principle of film sound recording The sound film began with ALJolsons jazz singer in 1927. In 1977, the film industry celebrated the 50th anniversary of the sound film. In the 1920 s The earliest sounds were made in the early 1900s, from 331 thirds per minute to a recorded phonograph record. It is obvious that the projectionist needs to keep abreast of the synchronization problem, resulting in the creation of a system that can imprinted the image and sound tracks together on the same film. In the 1930 s There are two kinds of optical sound recording system was developed, variable density and variable area, variable density mean sound track density change with audio signals, variable area refers to the width of the sound track clear change according to the signal. Also, there are some different types of variable area channel - the earliest unilateral, improved symmetry and double symmetry and special push-pull track, because of the complexity of push-pull channels, they are used in indoor operation, there is no issue. Only the 1941 version of WaltDisneys dream song was released on twitter, a special tour that would have been fully controlled by Disney technicians. In the 1940 s The basic optical sound track defect used to be (and still is) noise. In early use, the plan was modified to reduce noise. Over the years, variable density sound tracks and variable area acoustic tracks have changed many to improve their dynamic range. The demand for greater sound levels makes the variable density sound track obsolete in order to get a larger output of variable area records. Stereo idea inspired engineers, 30 s, bell LABS developed the four variable area on the 35 mm film stereo audio system, in 1941, nocturnes as the first commercial stereo copy issued by the piece. In the 1950 s In the fifties, there were widescreen films -- most of which used multi-track tracks to achieve stereo, the dri