动画色彩的主观作用(The subjective role of animation colors).docVIP

动画色彩的主观作用(The subjective role of animation colors).doc

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动画色彩的主观作用(The subjective role of animation colors) 1 subjective color in animation design Animation scene design subjective consciousness, which belongs to the areas of self-awareness, with objective Corresponding. It is based on repeated observations of the actual scene experience, form their own subjective sense of feeling. If we change the previous observation methods, natural attribute to our own thinking to understand the color, Will have found that the color change unpredictably charm, which is why we often say that the objective color attributes, Into their own subjective color rendering in the animation scene design. When the subjective color in your mind by Step upgrade, animation scene design will not belong to the naked eye observation objects. But the color designer management The color of the kingdom. Otherwise, the designer has become cameras and camera. Because of the subjective sense of play and There will be so many designers with when painting a landscape color feel different. The designer Repeated observation of natural scenery the formation of subjective consciousness. And then by the subjective consciousness to be adjusted to the natural landscape The transformation, which is being determines consciousness, the consciousness of reaction in the embodiment of existence. The formation of animation scene design subjective consciousness, should be carried out through the observation of training and skill training Culture. Physiologically, the retina absorb visible light, the optic nerve to the visual information conveyed to The brain produces objects reflect light. Outdoors, sometimes the objective conditions can not meet the needs of the picture At this time, the subjective consciousness will shine, it uses creative master in the brain color sense And the accumulation of life experience, rationality and perfect reconstruction of the picture, the scene color and re Zhen Choose to paint the picture perfect. To make reasonable adjustments to the light

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