如何增强摄影画面的立体感(How to enhance the sense of three-dimensional picture photography).docVIP

如何增强摄影画面的立体感(How to enhance the sense of three-dimensional picture photography).doc

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如何增强摄影画面的立体感(How to enhance the sense of three-dimensional picture photography)

如何增强摄影画面的立体感(How to enhance the sense of three-dimensional picture photography) Author: Jiang Tiecheng Introduction The shape of the photography picture belongs to the plane molding art. Plane modeling is one of the characteristics of photography, and all the means of photography and modeling are influenced and restricted by this factor. The main feature of graphic arts is to reproduce or represent the real life of three-dimensional space in the plane of two-dimensional space. The image of the image in the picture shows only the extension of two aspects of length and width, while the reality space is a three-dimensional space extending in three aspects: long, broad and deep. It is necessary to pay attention to arranging the vertical scene of photography and strengthening the stereoscopic feeling of the picture by using the two-dimensional plane to show the objective scene with three-dimensional space. The photographic picture processing method using three-dimensional perspective law method, using the shooting angle method, using picture element layout method, the use of light shooting method, using contrast method, using tone shot method etc.. First, the use of perspective law The law of perspective comes from the observation habit of scenery in real life, and it is also a yardstick for people to judge the distance and size of scenery. The law of perspective consists of two aspects: line perspective and air perspective. 1, line perspective. The law of line perspective emphasizes the profound sense of space that appears on the plane of painting. There is a significant relationship between the intensity of the same depth of scenery near the far smaller. The stronger the size contrast and the greater disparity, the more urgent the line contraction, the stronger the sense of space, the less obvious the size of the scenery, and the more relaxed the line contraction, the weaker the sense of space. The slanting side of the shooting direction, upward or overhead shoot heigh

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