莲乡民歌中的十字歌(Lian Xiang folk songs in the song cross).docVIP

莲乡民歌中的十字歌(Lian Xiang folk songs in the song cross).doc

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莲乡民歌中的十字歌(Lian Xiang folk songs in the song cross)

莲乡民歌中的十字歌(Lian Xiang folk songs in the song cross) Lian Xiang folk songs in the song cross Popular Lian Xiang traditional folk songs, many of the songs cross. Ten in the lotus Township Peoples mind is a lucky number, and a symbol of success and happiness, such as peoples birthday is on the eleven Daqing, but what other things do also love to fill a full ten . This also affected the folk artists on old folk songs. The song compared to other short folk songs, apparently with content of Feng Full, rich artistic skill profound charm, attracted many listeners, and to sing down from generation to generation. There are many cross singing songs are still wedding and other public places, and some even lace drama onto the stage, such as ten, ten husband advised more, ten, ten sister want love songs, etc.. Jianning female kind, cardinal, friends, family, honest and sincere emotion, which is reflected in many folk songs. Cross song in the ten husband sing to listen to persuade her husband in a very famous wife, husband to yourselves and do good, make a good husband, good father, good son, theme, which at the time, even today there are social educational significance, first, a lot of women can sing this song: A husband advised me ah Mo, Ten for nine, Gambling which made money now? My husband...... My husband advised three ah Mo flowers, After a loss of money, About my husband lost fame yo. Four my husband advised Jing dieniang, Dear father mother is filial duty, To repay my parents for their rearing, My husband...... Nine the husband advised me to love the neighborhood, Neighborhood unity help, The local native love yo, my husband. Ten the husband advised me to be good, Good good news to everyone, Not bad karma when yo, my husband. Some folk songs in the cross song is the most womens identity to sing, which are mostly through the delicate depiction of womens psychological and modality, reflect the social bottom women labor, love, marriage, family life, and resistance to the feud

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