巴尔扎克作品中的“暴发户”形象分析定稿.docVIP

巴尔扎克作品中的“暴发户”形象分析 摘要：巴尔扎克是十九世纪法国批判现实主义作家，其中不缺乏一系列优秀作品，《人间喜剧》中的《高利贷者》、《欧也妮葛朗台》、《纽沁根银行》等等。而巴尔扎克尔作品中突出的塑造了“暴发户”形象。他们通过各种手段、伎俩来达到目的，视财如命又挥金如土，体现了资本主义社会人和人之间赤裸裸的金钱关系以及资本家不折手段的、追名逐利的本性。从而无情的鞭笞了资产阶级暴发户丑恶的灵魂。 关键词：巴尔扎克；批判现实主义；暴发户 用“”一词来概括形容巴尔扎克作品中突出的人物形象是最为贴切的这些暴发户描绘了资产阶级剥削弱者的罪恶发迹史。 ）籴高布赛克这一名词,象在法语中已经成为高利贷者的同义词一样,也已经成为鬼的同义词了。高布赛克是个狂,他虽然拥有万贯家产,却过着难以想象的穷酸日子,住的是阴暗而潮湿的房屋,用的是陈旧而破烂的家俱。他的那块门帘,居然用了十六年之久,而且还是用一床旧毯子改制而成的,在他的贮藏室里,存放着无数借贷户送交的抵押物和馈赠品,宁可长年累月任其发霉、变质、腐烂,也舍不得拿来自己享用,这种真可说是到了节制肉体需要的程度,不仅十分可笑,而且十分愚蠢。他好比一个快要饿死的人,手里却捧着一个大摸,一会儿瞧瞧,一会儿闻闻,始终舍不得把它吃下肚子里,而宁愿继续挨饿。不仅使他刻薄自己,也使他苛待别人。: Balzac is an excellent critical realism writer during 19th century in France. His brilliant works include Eugénie Grandet，the usurer and The firm of nucingen. He tries to shape images of Nouveau Riches in these works as well, who would like to do anything as long as to achieve their goals, to squander their money willingly while keeping every penny of them for fear to be touched by other people. He compeletly describes evil relationships between people in capitalism society and nature of capitalists, which is desire of money and wealth. In that way, he thrashes ugly capitalists and nouveau riches by his works Key word：Balzac; critical realism; upstart 第 1 页 （共 9 页）