从文化视角看几首唐诗宋词 -冷成金（A few poems of the Tang and Song Dynasties - cold gold from a cultural perspective）.docVIP

从文化视角看几首唐诗宋词 -冷成金（A few poems of the Tang and Song Dynasties - cold gold from a cultural perspective） A few poems of the Tang and Song Dynasties - cold gold from a cultural perspective Leng Chengjin, Professor of Classical Literature Department China literature of Renmin University of China, masters tutor, who is a visiting professor at Hanseo University in South Korea, chaired and completed the 95 national social science project of middle Tang Dynasty to Northern Song Dynasty literature. One main monograph: Su Shis philosophy and literary concept, Chinese literary history and aesthetic, literary and cultural tension, Chinese ancient literary history (and part), free, ancient hermits and the song etc.. Content introduction: Tang poetry and Song poetry can be said to be the acme of the beauty of our Chinese literature, but what is the beauty of Tang poetry and Song Ci? We have been very clear, a lot of ancient China anthology and countless comments, just tell us what the poem is beautiful, but never tell us why it is beautiful? For example, Chen Ziangs Deng Youzhou ancient Taiwan. For thousands of years, has been told for generations, why would it become a timeless classic? We say that because of Chen Ziangs Deng Youzhou Taiwan ancient is beyond the specific historical background, whenever you recite it, you will have a value of empty feeling, helpless, helpless. When you face up to the truth of your life, you have a sense of tragedy, which is the awakening of tragic consciousness. The awakening of tragic consciousness is just a prerequisite for the establishment of value. Poems such as Chen Ziang often appear in Chinese classical poetry. If you turn over the three hundred poems and turn over the selections of the Song Ci, they will have similar sentences. These sentences express the same basic matrix in different ways, different images and different contexts. This is the parent of our traditional culture. This poem, it goes straight to the softest and weakest part o