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对人声进行压缩处理的技巧(Techniques for compressing human voices)
对人声进行压缩处理的技巧(Techniques for compressing human voices)
Techniques for compressing human voices
- problems:
Peoples voice track doesnt always blend well with your mixing results. Not too loud, just loud, soft, without the power you want.
- solution:
Controls the dynamic range of the vocal track, i.e., to reduce the difference between the maximum level and the track average level. This will make the sound track more harmonious with the whole music, and make the sound sound fuller and more powerful. At the same time, as the peak level is down, you can also appropriately upgrade the track level.
- potential dangers:
After this treatment, you are used to control the dynamic range, get rich sound, but also the high frequency components of sound would have weakened, which will lead to sound very dull and no sense of the scene. The compressor is opening and closing moments, you will hear breathe and breathe sound.
- processing steps:
1) use mixer channel insert function to connect to the voices of the compressor, then you need a special insert line to finish the work, you have to view the instructions to console you, in the end is to see what kind of connection, it sends and auxiliary and the auxiliary ordinary return there is a difference between.
The channel insertion function allows you to process the entire human voice signal, while the auxiliary line mixes the compressed signal with the original sound signal.
2) the compressor threshold parameter is set to 0dB, the ratio is set to 2.5:l, the sound head time parameter is set to 10 ms, and the release time parameter is set to 150 mS. The gain parameter should be set to 0 dB. If your compressor has a hard turning point and a soft turning point, then set it as a soft turning point.
3) begin to play back music and listen carefully. While listening to the compressed audio output, slowly reduce the threshold parameter until you feel that the compression process is working. Most of the compressor has a meter, to tell you the co
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