珐琅彩鉴定（Identification of enamel）.docVIP

珐琅彩鉴定（Identification of enamel） There are two main types of enamel, one is from the Persian fetal copper filigree enamel, to Chinese about the Yuan Dynasty, the Ming Dynasty began firing, and in the period of Jingtai reached a peak, later known as cloisonne. Since then, cloisonne became fetal copper filigree enamel code. The other is the painting of enamel from Europe, which was introduced to China in the Qing Dynasty, Kangxi. Specifically, filigree enamel into two dynasties is most common in minking Taihe, followed by technological level decreased significantly. The Qing Dynasty Cloisonne fetal thin, cloisons fine glaze, than to bright in the Ming Dynasty. The pattern of complex and diverse. Qianlong period, although the product can not be compared with the Jingtai and Chenghua period, but the products produced by Hiki Hiroji and Masanori are not inferior. At the beginning of the twentieth Century, the overall level is less than the previous generation of cloisonne production, carcass thin, bright colors have floating feeling, coarse workmanship. At this time only God, Dexing making Cloisonne work fine, good quality. Enamel painting technology was introduced into Chinese, developed in Kangxi, Yongzheng and Qianlong three dynasties, three dynasties works in their shape, glaze, decoration, inscription and other special. The Kangxi era enamel glaze painted bright and clean, decoration to sketch the flowers and pattern of flowers mainly. Yong Zhengs paintings of enamel ware were made neatly, with bright black glaze, more than Kang and Gan dynasties in two dynasties. Qianlong enamel painted decoration trend of dense and meticulous work style, more Chinese and Western decoration, painted enamel and champleve enamel, combined with the phenomenon of the process. Enamel ware as a category in the collection of art, Also attracted a large number of collectors, collectors object to cloisonne mostly. We refer to the Cloisonne collection refers to the late Qing Dynasty and the l