动画十四条原理（Fourteen principles of animation）.doc

动画十四条原理（Fourteen principles of animation） Twelve principles of animation production NO.1 hand drawing skills (Solid Drawing) The traditional hand drawn animation requires a very solid painting and training of aesthetic sensitivity, but in the field of 3D animation, hand-painted work content is no longer the animator. However, whether the production of traditional animation or computer animation, animators need to have solid basic training in painting, will be required in a more complete picture of the animation show. (in the POSE TO sports car: POSE animation, picked up a pen to draw the desired movement, will allow you to more accurately grasp the overall and detail.) NO.2 attraction (Appeal) All the characters must have its attractive place, whether it is a hero, villain or clown. This requires a clear role set, minimalist design, distinctive personality, and that the role of the behavior with the development of the story changed. (sports car: a role for people from its body language that all his that is easier said than done.) NO.3 slow in, slow out (Slow-in, and, slow-out) When real life objects start or stop time, they will experience the natural process of acceleration and deceleration. In human walking, people began to slow down in step and at the end of the campaign, and in the middle of speed, so as to make the action more full relief. NO.4 preparation (Anticipation) The role of an action needs to go through three stages of preparation, action and end. Prepare is usually in a large extent, before the main action quickly, the opposite direction and slow rate is also smaller. The anticipation aim is to make the audience more clearly see the action, that action between otherwise, the role of the action will be very abrupt and stiff. Then in the actual production process preparation should be applied to what extent? It depends on the following factors: How much force applied to How fast you exercise You want the audience how surprised You in a ready reserve is