戏曲常识（Drama common sense）.docVIP

戏曲常识（Drama common sense） Let] Fourth unit ancient Chinese opera Opera man, singing and dancing, story also - Yuan Dynasty drama and legend of the Ming and Qing Dynasties [knowledge mastery] [knowledge point analysis] I. cultural knowledge Zaju of the Yuan Dynasty and legends of the Ming and Qing Dynasties Chinese ancient opera mainly refers to the Yuan Dynasty drama and the Ming and Qing Dynasties legend. The Zaju of the Yuan Dynasty was developed on the basis of the former drama art and the singing and singing literature. It marked the maturity stage of Chinese traditional opera art. One of Guan Hanqings dou and Wang Shifus the West Chamber is the highest achievement, typical. The legend of Ming and Qing Dynasties was developed on the basis of Zaju of the yuan dynasty. It was another prosperous period after the yuan dynasty. The representative works include Tang Xianzus Peony Pavilion, Hong Shengs Hall of longevity and Kong Shangrens peach blossom fan. Their difference: (1) drama practice is sixty percent off pieces, not orime; legend is called fold and called out, and add up the number of orders is uncertain, forty or fifty long. Legend has no wedge. (2) as the legendary opera, singing, drama, white, usually consists of a character and singing in the end, the legend is a variety of roles can also sing, solo, duet, troll and chorus; legend not called science and medium. (3) drama and legend have taken the way of liantao Qupai in music, the difference is: each fold limit with a music drama, a rhyme in the end; each legend not limited by a temple, can be in rhyme. Opera singing with music, with legendary Nanqu, and absorb the North Song, created a nanbeihetao method. For example, mourning is a northern jiangnan. Northern majestic, gentle and mildly Nanqu opera legend, and music styles. (4) the role of legend is similar to that of zaju, but the role is increasing and the division of labor is finer. The main characters of the drama are the end and the Dan, and the lege