photoshop超强抠图合成创意实例（Photoshop super matting synthesis creative examples）.docVIP

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photoshop超强抠图合成创意实例（Photoshop super matting synthesis creative examples）.doc

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photoshop超强抠图合成创意实例（Photoshop super matting synthesis creative examples）

photoshop超强抠图合成创意实例（Photoshop super matting synthesis creative examples） For those readers advanced intermediate level Photoshop The teaching focus: to adjust the hue and saturation a deeper understanding Teaching difficulties: understanding, adjust the color hue and saturation channel mixed mode different effects of color, to break the image thought of resistance, The examples of originality: breakthrough thought limitation of the channel matting, as the final results for the synthesis, the material itself is only a secondary image A friend posted in the forum asked me how the yellow background clutter under the white peacock feather matting. At first glance, it seems clear that white feather, But when channel matting is found not so. There are a lot of weeds with the color of the feathers of each color channel in color Can not use color to distinguish. With a black brush is also very difficult to put up a little noise. There is no way as much as possible in the shortest time will get rid of weeds? We should start from the analysis of the image. A step by step to achieve our goal. 1/ in order to ensure that the final image is clear, we need to get the image magnification, then the image is reduced back to the original size in finish after matting. Note here that amplification Not use the zoom tool but the image zooming, the overall use of image - image size command amplifier, as shown in the figure, the unit change percentage, Check the constraint ratio, the image width and height are set to 400% of the original, click, the image is magnified. 2/ following this step, the destructive operation of the image. Because this example is the material as an aided design image to treat, so there is no duplicate the background layer. If everyone is going to pull the original material in the feathers, can pull the background layer to the new layer button, a copy of. In this way the copy of hue and saturation. After that, we will have a not destroyed the background layer, makin