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影视美联英语 斯嘉丽约翰逊在《超体》变身超女.doc
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美联英语提供:影视英语 斯嘉丽约翰逊在《超体》变身超女
Thank goodness (or the goddess) for male directors who dig strong female characters. Whatever their reasons, these directors often expand the range of roles women play, whether it抯 one of Howard Hawks抯 dames calling the shots or one of James Cameron抯. That the French director Luc Besson, an industrious multi-hyphenate, has a thing for femmes fortes has been evident since 1990, when he unleashed a pouty toothpick in 揕a Femme Nikita,?a delirious, violent fantasy that turned an outla w into a gun-toting gamine and an exploitable commodity that, in turn, spawned both an American big-screen remake (“Point of No Return”) and a television series.
感谢那些致力于挖掘强悍女性角色的男导演们(或者应该谢谢女神)。不管他们是出于什么动机,通常都拓展了女性角色的范畴,霍华德·霍克斯(Howard Hawks)和詹姆斯·卡梅隆(James Cameron)的影片里都有掌控一切的女性。勤奋而多才多艺的法国导演吕克·贝松(Luc Besson)对强势女人的迷恋则是从1990年的《尼基塔女郎》(La Femme Nikita)里那个干瘦如牙签、爱生气的女主角就可以看出来了,它是一个疯狂暴力的幻想,讲述一个不法之徒摇身一变,成为身背枪支的艳女和可供利用的商品,后来它在美国被翻拍为电影《尼基塔:永不回头》(Point of No Return),又被改编为电视剧。
Mr. Besson’s particular kink for fatal female beauties receives an entertaining workout in his latest film, “Lucy,?in which he again introduces a young woman who undergoe s a remarkable metamorphosis that leads to convulsions of extreme violence and an increasingly frenzied visual style that lay waste to both men and any semblance of story sense. The nonsense begins when the title character ?played by the improbable yet so mehow perfect Scarlett Johansson ?is pulled into a head-scratching plot in Taiwan, put into motion by a crime boss, Mr. Jang (the excellent South Korean actor Choi Min Sik). He抯 set to begin peddli ng an experimental recreational drug that she accidentally ingests, and in such enormous quantities that she’s soon transformed from a slacking expat into super-Scarlett.
贝松对致命美女的奇想在他的新片《超体》(Lucy)中得到了有趣的体现,片中他再次推出一个经历重大变形的年轻女子,导致了极度暴力的动乱,也带来愈发疯狂的视觉风格,不仅破坏了片中的男人,也破坏了故事的外观。女主角露西由虽不太可信,但在某种程度上非常完美的斯嘉丽·约翰逊(Scarlett Johansson)饰演,她被卷入台
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