中国古代音乐史（Ancient Chinese music history）.docVIP

中国古代音乐史（Ancient Chinese music history） Review methods and key points Ancient Chinese music history Part one The combination of exotic music and central music: Li Yannian Le Mo pocket The development of folk music: The development of court music: Song and dance Daqu (and Qu, Qu, Shang, Daqu) Singing and dancing (folk music permeates Palace Music) A rich original song and dance Book of Songs and Chu Ci Song, sing, make songs Genre of songs in Ming and Qing Dynasties Zhou Dai music and dance The Tang Dynasty palace conviviality Grasp the main points Genre features (source of development, structural features, creative methods), representatives, and important works; Genre characteristics representative figure Singing and dancing Daqu Cases: Development origin: Structure characteristics: The Han Dynasty sprang up in the north. Unaccompanied by folk songs Songs, for the development of the sung by one person, three people and But the song, and then developed into a more music and Song Festival with Xianghe song . In the Han and Wei dynasties, Xianghe song further developed into a large-scale song and dance divertimento daqu. The basic structure includes three parts: Yan, Jie and hasten. Representative works The times, important works, style of creation, etc. The author, genre, style, circulation, etc Huaxia old ware: Bone flute, music, bells, Sanxian, Guqin Solo Instrumental ensemble Exotic instruments: Hichiriki, cymbals, harp, Xi Qin, pipa Ten ten drums, gongs and drums, Chaozhou music, Fujian Nanyin, Xian drum, Zhihua temple music and Shanxi eight, South Liaoning (advocating endemic areas, classification, origin, characteristics of melody instruments); Fine music, music, musical instruments, small Qing drum etc.; The music, music, some big army horse after Le etc.; Preach; During the period of the construction of musical instruments, characteristics, timbre, works, musicians and genres, notation, music, Historical value; Musical instruments and instrumental music Grasp t