后现代装饰风格设计特征 用于室内设计(The design features of post-modern decorative style are used in interior design).docVIP

后现代装饰风格设计特征 用于室内设计(The design features of post-modern decorative style are used in interior design).doc

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后现代装饰风格设计特征 用于室内设计(The design features of post-modern decorative style are used in interior design)

后现代装饰风格设计特征 用于室内设计(The design features of post-modern decorative style are used in interior design) Post modernist design, we can see these features: A metaphorical and decorative design The decoration is almost modern design as one of the most typical characteristics, this is postmodernism opposes modernism, the international style is the most powerful weapon, advocate the use of decorative techniques to achieve visually rich, advocate to meet the psychological needs and not just the monotonous functionalism. Post modernism to modernism classicism completely reject the abnormal attention, they do not engage in purely retro, but some techniques and details of various historical motivation and design as a metaphor in vocabulary, using techniques of eclecticism, ushered in a new stage of the ornamentism. Post modernism decorative style reflects the culture here is great inclusive, including traditional culture, also contains the current popular culture in ancient Greece and Rome, the medieval Gothic art, Renaissance, Baroque, Rococo and twentieth Century new art movement, Art Deco, pop art, cartoon art and so on any a style of art. The use of the technique is more eclectic: borrowing, distortion, exaggeration, synthesis, even teasing or ridicule. The Marilyn sofa designed by Hans Holain combines the stylistic features of ancient Rome, pop art and decorative art movements. Two imaginative and emotional design Postmodern design brings poetry back to our lives. Metal sofa store right four Lang has a very romantic name: the moon is really high ah (HOW HIGH THE MOON), a metal frame hollow in the light shade reminiscent of whirling behind the moon. The post-modernism thinks that design is not only to solve functional problems, but also to consider peoples emotional problems. Adler Polan raised what he knew to many non designers. For example, our choice of products is influenced by our memories and associations, our aspirations and our friends, and by what we see in televisi

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