中央美术学院2015届硕学位论-国际学院版画联盟-IAPA.PDFVIP

中央美术学院2015届硕⼠学位论⽂ 论⽂题⽬：限制与⾃由 ——对艺术创作中的材料与⽅法的探讨 作 者：张开愚 研究⽅向：版画的应⽤性研究 摘要 限 制与⾃由仿佛是孪⽣姐妹。他们不是对⽴的，⽽是互相依托互相转化的。最⼤的⾃由是 由狭窄的限制中得来，没有限制便没有⾃由。⽬前关于限制与⾃由的讨论，更多是艺术 之外的讨论，或者是不⾃由带来的诟病，对于各个艺术表达⽅式之间的限制和⾃由的讨 论包括它们之间的相互借鉴和相互成就的讨论少之又少。我在这⾥通过⾃⼰的艺术实践， 通过对油画，版画和剪纸等不同的艺术表达⽅式之间的限制和⾃由，以及它们之间的相 互借鉴和相互成就的分析，希望对艺术家的创作有所启发。 关 键词： 限 制 ⾃由油画版画剪纸 I Summary Restriction and freedom are twin sisters. They are not opposite, but depends on the mutual transformation of each other. The greatest freedom is derived from the narrow limits of, no limit and no freedom. The discussion of restrictions and freedom, more discussion is art, or is not free, bring about various restrictions between the artistic expression and freedom of discussion include the achievements of between them from each other and mutual discussion few and far between. Here I am, through their own artistic practice, through the painting, prints and paper cutting among the different means of artistic expression such as limit and freedom, and their mutual reference and the analysis of the mutual achievement, hope to inspire the creation of the artist. Key words: Restricting the canvas prints paper-cut II ⽬ 录 版权声明 I 学术规范声明 II 学位论⽂电⼦⽹络出版授权使⽤授权声明 Ⅲ 摘 要 Ⅳ A B S T R A C