南京南京 镜头分析（Nanjing Nanjing lens analysis）.doc

南京南京 镜头分析（Nanjing Nanjing lens analysis） Wen He Xi The lens is the most basic unit of a movie, each with a different angle, different length and different shooting performance and the combination of footage, the details of the show, and eventually into will form a different visual impact and visual experience. How the lens is used and how to show the details often depends on the tone of the film and what it wants to show. Formalism and realism is the earliest, method and means is the most primitive distinction between a movie style performance, different style directors tend to use different mirror position for display. And in the specific differences of these two aspects, in the story in general is not to do too much regulation, all according to the need of the plot to make a decision, so the story generally does not take the poles, but in world history there are some exceptions. What is the camera, and how to make good use of the lens, is the most basic concept of every director must understand, apply and grasp of the lens is how often the director skill of the most basic and concrete embodiment and test. Below, take the movie Nanjing, Nanjing as an example to interpret the lens in this film. Lens style Talk about the lens, usually in general from the lens style first, lens style is also the style of the final shaping of one of the most important combination of factors. I believe that all the people who are familiar with the style of Lu Chuan director will also be familiar with the special narrative style of Lu Chuans documentary style with some documentary style. As one of the new generation of Chinese movie film, the two film guns and Kekexili, there are very obvious and imprinting, the character, especially on peoples psychological depiction, reveals the psychological and psychological suggestion, try to figure out the psychological are very delicate and very accurate description sure. At the same time, each shot is carefully choreographed and organized before