交响编舞技法（Symphonic choreography）.docVIP

交响编舞技法（Symphonic choreography） Method: Symphonic choreography dance on body Author: Source: China Dance Network release time: 2012, 03, 08, click on the number: 15 [font: small big] [print article] I. the initial formation of the concept of dancing texture As an important concept of dance theory, dance texture is not the need of theoretical construction, but the product of creative practice. According to the authors limited field of vision, the approximate expression of this concept appeared in the analysis of the choreography techniques of the painted skin (Shu Qiao, Ying Ding Ding choreographer) as early as Fang yuan. In the article entitled the concept of the painted dance feeling comment, Fang Yuan is the description that fascinated him dance: reading by Wang, but always thought absquatulate. He met in the market can not forget the morning beautiful amorous girl, dazed at sleep. His book slides stably, Titaiqingying, long sleeved with all ghost quietly, make people immediately into an unpredictable and even solemn artistic atmosphere...... In this regard, Fang Yuan sharply pointed out: here, the texture choreography skills (the use of skills, which derived from the composition in our drama creation is just beginning to borrow) has been further use. Dance on the consistent and inconsistent alternation of music and dance in the rhythm, the rhythm synchronization is not synchronized with the alternation of stage scheduling on regular and irregular, balanced and unbalanced alternately, the main section of this section of the dance form a symphonic texture...... A kind of imagination and reality intertwined, a solemn and be a wild legend, a stern manner and the lustrous and dazzling intertwined...... (dance, 1980, issue fourth). Fang has not yet enabled the concept of dance texture, which he termed the symphonic fabric, and further pointed out that it was the product of weaving in choreography. Secondly, the use of multiple element analysis by alternating and weaving