平面设计平面设计编排构成原理(Graphic design graphic design, composition, composition, principle).docVIP

平面设计平面设计编排构成原理(Graphic design graphic design, composition, composition, principle).doc

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平面设计平面设计编排构成原理(Graphic design graphic design, composition, composition, principle)

平面设计平面设计编排构成原理(Graphic design graphic design, composition, composition, principle) A visual representation of multimedia viewers from the present on the computer screen to get information, make the reaction; on the other hand according to the aesthetic experience, from the computer screen and pleasing visual presentation, due to his good emotional communication. A pleasing visual presentation depends on the designers creativity, performance skills and formatting. At present, many domestic design of computer screen visual presentation is dependent on the designers feelings to deal with, or with many years of practical experience to complete. But feeling is hard to fathom for people who want to learn multimedia design. Experience is cruel. The aesthetic principle used in the graphic design arrangement and composition, the formation of graphic design layout principle, can help beginners; even for designers in the lack of feel when, also issued the standard of work creation. The relation between size and size is one of the most important elements in shaping elements, which can almost determine the relationship between image and harmony. The difference between the size of the small, and give people the feeling of a more quiet, mild, big difference between the size of the people feel more distinctive, but also a sense of strength. Two. The contrast of yin and Yang, yin and Yang, positive and negative, day and night, etc., such a comparative statement can make people feel the light and shade in daily life. At the beginning of the birth of the baby, first in the vision can separate the light and shade, and cattle, dogs and other animal can identify simple black and white, but the chroma or hue but cannot be easily identified, therefore, that dark and white is the most basic elements of color sense. Three. The thicker the contrast, the thicker the typeface, the more masculine the masculinity. If it is fashionable and feminine, it usually appears in fine words. Small words, i

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