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广东审美的实用主义(The aesthetic pragmatism of Guangdong)
广东审美的实用主义(The aesthetic pragmatism of Guangdong)
Pragmatism in the aesthetic psychology of Guangdong
Professor Tan Tian of Guangzhou Acmdemy of Fine Arts
Although the National Symposium on 1986 new fashion art has been held in Shenzhen once, Guangdong
Its not the most exciting place in trendy art. In 1989, the Chinese modern art exhibition in Beijing, Guangdong, was not sent to stir up a sensation
Works. This shows that Guangdong wood overall aesthetic mentality is not avant-garde.
However, Guangdong wood is not conservative, and the Guangdong geographical environment and the psychological quality of cantonese. wide
The East is one of the best open and invigorated areas in the country. The winds of modernization from the south wind window affect the mountains
In the south, new materials and new methods are widely used in art creation, and art circles are also open. If conservative, they will not appear in this kind of Art
Vigorous situation.
The overall style of Guangdong art is neither avant-garde nor conservative, which clearly reflects the compromise between the two, and the most important feature of compromise is pragmatism
In opening the history of Chinese and foreign art, we can find some times when art has lost its independence. In social poverty, art is often governed by politics
Governance and religion are, at the start of prosperity, often dominated by the economy. Now society is in the rich, art
To seek economic protection, Guangdong art certainly can not be an exception. Unfortunately, most of the wealthy in China today are well aware of reading without
The mystery , and strive to practice the wise , their artistic taste and aesthetic attitude, use two words to describe: beautiful. drift
Bright women, beautiful houses, of course, need beautiful decorations. If everyones mind are thinking of money, who have
The unique personality of the painter, perhaps the painter can draw himself into the great grid only by painting himself. Serious theme painting conti
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