试析贵州蜡染图画中苗族图腾文化的内涵.pdfVIP

Chinese Traditional Culture 国学, 2014, 2, 7-12 Published Online June 2014 in Hans. /journal/cnc /10.12677/cnc.2014.22002 Analysis of the Hmong Totem Cultural Connotation in Guizhou Batik Paintings Jintao Chen, Liling Zhao Hubei University of Technology, Wuhan Email: nd th th Received: Jul. 22 , 2014; revised: Jul. 29 , 2014; accepted: Aug. 4 , 2014 Copyright © 2014 by authors and Hans Publishers Inc. This work is licensed under the Creative Commons Attribution International License (CC BY). /licenses/by/4.0/ Abstract As a product of ancient Hmong Totem culture, Guizhou Batik Art has kept its amazing vitality. They are all taken from nature, regardless of the pattern of butterfly, bird, fish, flowers and stripes, or dragons. They are worshiped by Hmong people as their clan totem entrusted with a primitive and positive view of life that can convey an idea of animism, homology, equality and harmony among all creatures. There are inextricable links between ancient Hmong culture and Chinese culture. Keywords Guizhou Hmong, Batik Painting, Totem Cultural Connotations 试析贵州蜡染图画中苗族图腾文化的内涵 陈金桃，赵丽玲 湖北工业大学，武汉 Email: 收稿日期：2014年7月22 日；修回日期：2014年7月29 日；录用日期：2014年8月4 日 摘 要 贵州古朴的蜡染文化是苗族图腾文化的产物，至今仍保持着惊人的生命力。无论是蝴蝶纹、鸟纹、鱼纹、 7 试析贵州蜡染图画中苗族图腾文化的内涵 花草纹，还是龙纹等等，都取自大自然，苗族人崇拜它们并奉为氏族图腾，寄托着原始而又真挚的积极 生命观，传达了一种万物有灵、万命同源、众生平等、和谐共处的理念。古代苗文化与华夏文化存在着 千丝万缕的联系。 关键词 贵州苗族，蜡染图画，图腾文化内涵 1. 引言 “图腾”一词源于北美印第安语，出自奥吉布瓦人阿尔贡金部落的方言“奥图特曼”，原意是“兄 妹亲属关系”。著名的美国人类学家摩尔根说它“意指一个氏族的标志或族徽”[1]。而所谓图腾文化就 是由图腾观念衍生出来的一种人类历史上最古老的、最奇特的文化现象之一。图腾文化的核心便是图腾 观