论中国民族打击乐演奏中音乐形象 的塑造方式-音乐专业毕业论文.pdfVIP

摘 要 中国民族打击乐有着悠久而深厚的历史传统，是中国传统音乐文化的重要组成部分。在 打击乐演奏日益普及的今天，我们不能忽略在演奏民族打击乐器时，艺术与人自身情感体验 的密切关系，而这种天然的纽带便是演奏者丰富的想象力和对音乐形象的塑造能力。作为一 个专业演奏者，演奏不仅需要掌握专业的演奏技法能，同时还应明确演奏目的和音乐风格， 这都与演奏者丰富的情感想象和生活积累息息相关。在音乐美学的基础理论领域中，演奏者、 音乐作品、观众之间，存在情感交互和思维重塑的哲学关系，而这其中最为重要的一环，便 是演奏者给予观众的音乐形象的塑造。本文首先通过对形象和音乐形象的概念解析，探求中 国民族打击乐中的音乐形象的含义；进而在丰富的音乐形象的塑造方式中总结和分析打击乐 演奏中塑造音乐形象的方法；第三是理论联系实践，通过笔者在民族打击乐演奏实践中的经 验和思考，更深入探讨中国民族打击乐演奏实践中的音乐形象塑造。 关键词:艺术形象 音乐形象 演奏技法 塑造 i 万方数据 Abstract National percussion music of China has a long and deep historical tradition. It is an important constituent part of the traditional musical culture of China. Nowadays, as percussion music performance is becoming more and more popular, we shouldn’t ignore the intimate relation between art and people’s emotional experience when playing national percussion instruments. This natural link is performers’ abundant imagination and building ability of musical image. As professional performers, we not only need to master the professional performance skills but also clearly know the performance purpose and performance style, which are associated with performers’ emotional imagination and life accumulation. In the basic theoretical field of musical aesthetics, there are philosophical relations of emotional interaction and thinking remodeling among performers, musical works and audiences. The most important link is the musical image building of performers for audiences. This paper firstly analyzes the conceptions of image and musical image, to explore the meaning of musi