毕业论文（设计）以宋代梅瓶为例—浅谈设计的比例与尺度.docVIP

目 录 摘要 关键词（英文）...........................................................................................................4 第一章 比例、尺度与审美...........................................................................................5第一节 第二节 第一节 第二节 第二节 器皿设计课程实践与思考...............................................................................13 结语..............................................................................................................................................14 致谢.............................................................................................................................................15 参考资料..................................................................................................................................15 梅瓶比例的均衡： 摘 要 美的产生与数字有关，和谐之美更加离不开比例与尺度的作用。以宋代梅瓶为例深入探讨比例尺度的在器皿设计中的规律。利用比例关系和视觉尺度的分析方法浅谈陶瓷器皿的审美。比例关系的均衡表现在许多方面，如形状的均衡；几何关系的均衡；虚与实的均衡。不同的视觉尺度会改变我们对器皿造型的认识从而推动器皿设计的创新性发展。 鉴于理论基础、绘图和去上海博物馆测量考察，将宋代经典的梅瓶多视角比较分析，用具体的数据展开对器形设计的探索，总结出器皿设计方法。不仅对传统的器皿造型有了一个独到的认识，更对的学习器皿造型设计的这条漫漫长路有很大的意义。 关键词 陶瓷 器皿造型 比例 尺度 Abstrart The production and digital relevant, harmonious beauty more cannot leave the proportion and scale effect. In the song dynasty may bottle for example further discussed proportion in the design of the scale of the vessels in the law. Use scale relation and visual scale on the analysis method of the ceramic vessels aesthetic. The balance of the relationship of scale performance in many aspects, such as the shape of the equilibrium; The geometrical relation of equilibrium; Virtual and actual equilibrium. Different visual scale will change our understanding of the modelling of vessels to promote the development of innovative design vessels. In view of the theoretical basis, drawing and go to Shanghai museum measurement inspection, the song dynastys classic of perspective the comparative analysis, with specific data on the shape of the exploration on the design, summed up the vessels design