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Encyclopedia of Early Cinema(Part J)
Encyclopedia of early cinema 494
J
Jacobini, Maria
b. 1892; d. ?
actor, Italy
Born to an upper-middle-class family in Rome, Jacobini began her acting career with
Savoia. Despite her family’s opposition, Maria as well as her sister Diomira, who also
became a lesser-known actress, prevailed. In her early films, Jacobini played dangerous
and alluring vamps, as in Zingara [Gipsy] (1912). By 1916, however, it was clear that she
excelled in somewhat melancholic, delicate roles that demanded a sober, understated
acting style. Hence the success of Come Le Foglie (1916) directed by Gennaro Righelli—
who later became her husband—and Addio Giovinezza (1918) directed by Augusto
Genina, in commemoration of Nino Oxilia. After working in Italy, Germany, and France
during the 1920s, Jacobini’s career ended with the advent of sound. From 1937 on, she
taught acting at the Centro Sperimentale di Cinematografia; among her pupils was Alida
Valli.
ANGELA DALLE VACCHE
Janssen, Pierre-Jules-César
b. 1824; d. 1907
astronomer, France
Venus passes between the Sun and the Earth only twice in a century. In 1849, Hervé
Faye had suggested that photography could be used to record this phenomenon and so
determine, scientifically, the parallax of the Sun and its distance to the Earth. Janssen
advanced this idea by exploiting the principle of Plateau’s stroboscopic disc as well as the
photography of movement advocated before him by Ducos du Hauron, Du Mont, Cook
and Bonelli. Thus, in 1873, he devised his “photo graphic gun”: thanks to a rotating
obdurator, the machine was able to shoot 48 successive images in about 72 seconds on a
mobile daguerreotype disc 7.28
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