西方现代主义绘画人物造型的简约性特征研讨.pdfVIP

南京艺术学院 硕士学位论文 西方现代主义绘画人物造型的简约性特征研究 姓名：张霄 申请学位级别：硕士 专业：美术学 指导教师：沈行工 内容摘要 西方现代主义绘画各种样式、流派在十九世纪末二十世纪初先后登场，各领风骚。 各个流派在艺术主张上莫衷一是，作品形式也迥然不同，然而，由于社会的发展、科技 的进步、文化心理的裂变、民族交流的加强，最关键而且直接的因素是画家们不拘泥于 传统、积极探索的精神和对绘画艺术的执着，分别属于不同阵营的画家们在人物造型的 处理方面不约而同的找到了新的表现手法：简化，因而西方现代主义绘画的人物造型往 往具有简约性特征。本文对该命题从“形”、人物形象特征、空间体积三个角度进行梳理 和分析，阐述西方现代主义绘画人物造型简约性的表现特征和深层含义。同时，又进一 步从社会背景、文化思潮、工业化、民族交流融合导致的影响等角度对其成因进行研究 性探讨，结合自己的体会心得，最终对 “简约性”所具有的审美内涵和价值做出总结和 评价：强烈的表现力和审美趣味性，直接而完整的语言系统。 关键词：现代主义绘画 人物造型 简约性 原始艺术 - I - Abstract A variety of modern Western painting styles, genres in the nineteenth century has debut beginning of the twentieth century, the leading position. Various genres of art that different forms of work are also very different, however, as a result of social development, scientific and technological progress, cultural and psychological fission, the strengthening of national exchanges, but also the most critical factor is not rigidly adhere to traditional artists, and actively exploration of the spirit and love of painting and art, respectively, belong to different camps in the artists treatment of figures to find the same performance of a new approach: to simplify. Western modernist painting figures with simple features. In this paper, the proposition from the shape the characteristics of characters, space the size of three card point of view and analysis of modern Western painting figures of the performance characteristics of simple and deep meaning. At the same time, further from the social en