桐城诗派山水诗创作研讨.pdfVIP

II 中文摘要 历来学界对桐城派散文关注较多，而对桐城诸家的诗歌尤其是山水诗创作未 给予全面充分的认识。其实桐城诗派是清代诗歌史上在理论上卓有建树，在创作 上颇具特色，作者众多，影响深远的一个诗歌流派。它能够以古文通之于诗，并 提出了阳刚阴柔之美兼具的诗文风格要求。其山水诗创作也较好地体现了诗歌艺 术的特色。本文对桐城诗派发展阶段稍作分析，把笔墨重点放在其山水诗歌创作 的艺术特色、姚鼐及其几个弟子的山水诗分析上，并对这一流派在历史上的地位 作出些许评价，以引起人们对桐城诗派的关注。 论文共分三个部分。第一章简介桐城诗派，详述其山水诗创作特色。其中把 山水诗创作的特色总结为三个方面：一是内容上多有皖山皖水皖乡情的描述；二 是创作手法上以文入诗；三是风格上阳刚阴柔之美兼具。 第二章详析姚鼐的山水诗。从姚鼐的游踪、诗歌内容与诗歌艺术特色三个方 面对姚鼐的山水诗歌作一个全面的展示。 第三章着重分析姚鼐弟子的山水诗。如方东树、刘开、姚莹等人的诗歌创作。 他们在坚守桐城派诗法的同时，山水诗创作又各有特色。本章重在表现桐城诗派 诸家不同的山水诗创作面貌。 关键词：桐城诗派 山水诗 姚鼐 姚门弟子 I Abstract The educational world always gives more attention to the Tongcheng school of prose,but has not given comprehensive understanding to the Tongcheng school of poetry. Actually it has outstanding achievements in theorey and creation in Qing dynasty poetry history.There are lots of writers.And it is a profound poetry school. It can use something of prose to the poetry, and propose the style request of beauty of Yinyang in poetry and prose. Its landscape poems also well manifest the art character of poems . This paper makes the analysis slightly to the Tongcheng school of poetry development phases, but places more emphasis on the artistic feature of its landscape poems creation, Yao Nai and other poets .Then it makes the trifle appraisal of this school in the historical status, so that causes more peoples attention to the Tongcheng school of poetry. The paper is divided three parts. The first chapter introduces the Tongcheng school of poetry, relates in detail its characteristics of landscape poems creation. And its characteristics are three aspects: First, in the content it has the Anhui water and Anhui nostalgia description; Second, it creates the technique which uses something of prose to the poem; Third, i