初探青铜时代动物视觉图像的发展及其跨文化表征-湖南博物馆.PDF

初探青铜时代动物视觉图像的发展及其跨文化表征 ——以马王堆汉墓帛画与新加坡亚洲文明博物馆近藏汉代铜壶、陶兔之关系为例 A Preliminary Study of the Development of Bronze Age Animal Visual Images and Their Cross- cultural Representation—With the Example of Relationship between the Paintings on Silk from Han Tombs at Mawangdui and the Han Bronze Pot and Pottery Rabbit Recently Acquired by the Asian Civilization Museum of Singapore 〔新〕亚洲文明博物馆 陈丽碧 Libby Lai-pik Chan, Asian Civilization Museum, Singapore 内容提要：本文以讨论新加坡亚洲文明博物馆近藏两件汉代动物纹铜壶和立体陶 兔，及湖南长沙马王堆一号墓的T形彩绘帛画两者之间的关联线索为主轴，结合相 关器物所反映的物质文化，简论三个问题：一是汉代思想观、层界、玉礼器和帛画 的礼仪功能关系；二是汉代的动物形象在青铜时代晚期之演变及其特殊地位；三是 其与周边文化——东南亚青铜器上动物图像之交会与影响。 关键词：青铜时代 动物图像 马王堆汉墓帛画 铜壶 陶兔 Abstract: This paper focuses on the Han bronze pot with animal design and the three- dimensional pottery rabbit recently acquired by the Asian Civilization Museum of Singapore and their relationship with the T-shaped painting on silk from Tomb 1 at Mawangdui of Changsha. Through the incorporation of the material culture reflected by these objects, it briefly discusses the following three issues: 1. The relationship between Han ideology, social strata and the ritualistic function of jade sacrificial vessels and paintings on silk; 2. The evolution and unique position of Han animal images in late bronze age; 3. An initial discussion of the convergence and mutual infl uence between these and the animal images on southeast Asian bronzes in neighbouring cultures. Key words: bronze age; animal images; painting on silk from Han tombs at Mawangdui; bronze pot; pottery rabbit · · 701 纪念马王堆汉墓发掘四十周年国际学术研讨会论文集 新加坡亚洲文明博物馆馆藏的汉代错 期嵌错宴乐攻战纹铜壶（图四）亦可见一斑。 银动物纹铜壶，直颈，平斜肩，宽腰，