临界的弥漫CRITICALPERVASION-ShanghARTGallery.PDF

临 界 的 弥 漫 CRITICAL PERVASION NOV. 04 - DEC. 19, 2015 朱 加 ZHU JIA 香格纳画廊和 H 空间 | SHANGHART GALLERY H-SPACE | WWW.SHANGHARTGALLERY.COM 彩色气球 Colorful Balloons 多路视频装置 Multi-channel video installation 10 Edition of 4 + 2AP ZJ_5385 作品由四段十分钟的录像，四个屏幕放映不同内容段落呼应和呈现。艺术家安排了几个不同的场景和具有象征意味的道具，让观看者很容 易感受到其中弥漫的无法言喻的暧昧。一方面微妙的细节引诱着我们的想象，一方面又通过严谨的结构限制着我们的想象。逐渐增加的小 提琴乐手重复地拉着 C 大调的 A 音，为观众带来视觉和听觉的重复性折磨；男孩手中的彩色气球，有节奏地上下升起和下降；青春女孩 坐在铺满鲜花的床垫上，仰着头充满期待地微笑；旗帜飘扬投射在墙面上的影子以及不同人物角色的神情姿态，都从非正常心理的角度触 发相互的咬合关系。艺术家希望通过充满暗示性语言符号，表达出对于控制力的批判性态度。 In this 10 min video installation, different episodes play simultaneously on the four screens. The artist has arranged several different scenarios and symbolic props which make it easy for viewers to feel the pervasive ambiguity which can not be put into words. On one hand, our imagination is tempted by the delicate details, but on the other hand, our imagination is limited through a very rigorous structure. The gradual increasing sound of the violin - musicians pulling repeatedly with A in C major tortures the audiences visual and hearing senses. A man with a hand full of colorful balloons, moves his arm rhythmically up and down. A young girl sits, smiling, on the mattress covered by flowers. The shadows of a flying flag reflect on the wall. Through the language full of hints, artist wants to express critical attitude towards the control. 缺失的表达 Absent Expression 彩色喷墨打印 Colour inkjet 200*130cm x 7 Pcs Edition of 3 + 2AP ZJ_8088 这是一组由六张人物肖像和一张鹦鹉特写组成的彩色摄影系列作品。艺术家安排了几位年轻人站在一起，其中一个人手持麦克风忘乎所以 地歌唱和喊叫，而其他两人的表情表示出不屑和冷漠，形成了强烈的对比，投射出一种压制和监视的暗流在涌动，私密的空间被精心地打 开了，暴露在一群观察者面前。艺术家有意安排看似毫不相干的单独一只鹦鹉的出现，艳丽的羽毛和善学人语的技能特点，缺失陪伴和有 限的自由，都让人不免回想起类似的气氛和现场，光鲜的外表和过度的表达，却并不来源于自身的思考和开放的环境，投射出可能只是表 演，也可能同时在被迫的行为当中。 Consisting of seven color photographs, Zhu Jia captures the critical embarrassment from a daily life scene, like these group