The american technological sublime RealTechSupport美国技术崇高的.pdfVIP

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The american technological sublime RealTechSupport美国技术崇高的.pdf

The american technological sublime RealTechSupport美国技术崇高的.pdf

The american technological sublime In aesthetics, the sublime (from the Latin sublimis ([looking up from] under the lintel, high, lofty, elevated, exalted) is the quality of greatness or vast magnitude, whether physical, moral, intellectual, metaphysical, aesthetic, spiritual or artistic. The term especially refers to a greatness with which nothing else can be compared and which is beyond all possibility of calculation, measurement or imitation. Source wikipedia The first known study of the sublime is ascribed to Longinus: Peri Hupsous/Hypsous or On the Sublime. This is thought to have been written in the 1st century AD. For Longinus, the sublime is an adjective that describes great, elevated, or lofty thought or language, particularly in the context of rhetoric. Source: wikipedia The development of the concept of the sublime as an aesthetic quality in nature distinct from beauty was first brought into prominence in the eighteenth century in the writings of Anthony Ashley Cooper, third earl of Shaftesbury, and John Dennis. John Dennis was the first to publish his comments in a journal letter published as Miscellanies in 1693, giving an account of crossing the Alps where, contrary to his prior feelings for the beauty of nature as a delight that is consistent with reason, the experience of the journey was at once a pleasure to the eye as music is to the ear, but mingled with Horrours, and sometimes almost with despair. Source wikipedia Grosser and Kleiner Mythen, Swiss Alps. British writers, taking the Grand Tour in the 17th and 18th centuries, first used the sublime to describe objects of nature.

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