上山与进园_兼论明清几部奇书的寓意与反讽_唐根希.pdf.pdfVIP

17 1 2001 3 Vol. 17No. 1 Journal of Nanjing Agricultural Technology College Mar . 2001 : 1008-1895( 2001) 01-0078-06 X ——兼论明清几部奇书的寓意与反讽 唐根希, 王　羽 军 ( 南京邮电学院, 江苏 南京　210003) : 从 《水浒传》上梁山 手, 论述了明清几部奇书都把故事环境置于 一个 “诗意栖 居地”中, 从而使作品的主题深 到人类精神的最深处。作品运用反讽手法, 通过对小说中人 物行为的否定, 继而否定了 “诗意栖居地”的存在, 使我们在阅读中迷失了回家的路。这样的 寓意, 正是这几部诞生于封建社会后期的伟大文学作品所揭示的深刻主题: 通向天国的路已经 阻断。而这些作品都运用 “寓意—反讽”的表现手法, 无论在艺术还是在思想方面, 都为中国 文学和世界文学书写了一段辉煌的篇章。 : 明清小说; 上山; 精神家园; 寓意; 反讽 : I 207. 41 : B Going up the Mountain and Through the Forest - , TANG Gen xi WAN G Hui (N anj ing Univ er sity of P osts and Telecomm unicat ions, N anj ing 210003, Ch ina) Abs tract : Beginning y going up the Liang Mountain in T he W ater M arg in , this paper expounds that several w onderful M ing Qing novels are set in a poetic human eing s home, so as to give a deep insight into the recesses of the heart. T he technique of irony is used to negate the characters ehaviours and the existence of poetic human eing s home so that w e, lose our w ay home in reading . The implication that the w ay to the heaven is locked is disclosed in these novels created in the late period of the feudalist society. The techniques of allegory and irony are used in these masterpieces to add magnificance and glory to the Chinese literature and . the w orld s literature in oth artistic form and ideology : ; ; ; ; Key words Ming