陈洪绶人物画风格研究-美术学专业论文 word格式.docxVIP

into our native culture, Profits from the traditional portrait masters artistic performance style, can we find creative power and way out under this circumstance, to develop and create traditional figure painting according to peculiarities of time, region and nation.Keywords: Chen Hongshou, Figure painting, Style目录中文摘要········································································································ I 英文摘要······································································································· II 1 绪论 11.1 研究的目的及意义························································································11.2 国内外研究现状···························································································21.3 研究方法 ····································································································22 陈洪绶人物画风格形成的背景 ·······························································42.1 陈洪绶生平 ·································································································42.1.1 天才少年 ······························································································42.1.2 才华横溢的中年 ·····················································································52.1.3 乱世隐身的晚年 ·····················································································62.2 陈洪绶人物画与中国古代美学思想···································································72.2.1 立象以尽意 ···························································································72.2.2 言有尽而意无穷 ·····················································································92.2.3 气韵生动 ···························································································· 113 陈洪绶人物画的风格特征研究 ····························································· 163.1 用线特征 ·································································································· 163.1.1 方折顿挫的铁线描与圆转流畅的高古游丝描 ································