论析肖邦《幻想波兰舞曲》op.61的风格特性 结构形态及演奏技艺-on the stylistic features, structural forms and performance techniques of chopins fantasia polish dance music op 61.docxVIP
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论析肖邦《幻想波兰舞曲》op.61的风格特性 结构形态及演奏技艺-on the stylistic features, structural forms and performance techniques of chopins fantasia polish dance music op 61
摘要弗里德里克·肖邦是波兰浪漫主义时期伟大的钢琴家和作曲家。波兰舞曲是肖邦钢琴作品重要的乐曲体裁之一,其贯穿了他一生的创作之中。肖邦的波兰舞曲是在继承传统波兰舞曲基本结构和特征基础上进行了富有意义的创新,其作品无论是在数量上还是在多样化上,还是在体裁风格和和声创新上,都极大地超越了前辈和同时代的作曲家。本文以肖邦的波兰舞曲——《幻想波兰舞曲》为例,以波兰舞曲和幻想曲两种体裁风格作为理论基础,分别从作品混合的风格特征、复杂的结构形态以及演奏技艺三个部分进行深刻分析与研究,期望能够给予演奏者提供一些帮助,使演奏者在深刻领悟肖邦波兰舞曲的内涵基础之上,运用正确的弹奏方法演绎这首作品。关键词:肖邦;幻想波兰舞曲;风格;结构;演奏技艺IAbstractFredericChopinisagreatcomposerandpianistofRomanticPeriodinPoland.Polanddancemusic,asoneoftheespeciallyimportantmusicgenresinChopinspianoworks,thecreationofwhichaccompaniesthroughouthiswholelife.ChopinsPolanddancemusichasvarioussignificantinnovationsbasedonthebasicstructurecharacteristicsoftheinheritedPolanddancemusic,whichmakeshisworksgreatlysurpasstheelderandcontemporarycomposernomatteronnumberanddiversity,orinthestyleofformsandtheinnovationofharmony.ThispapersetstheChopin’slastPolanddance“Polonaise-Fantaisie”asexample,basedonthestyleofPolanddanceformandfantasyformastheoryfoundation,deeplyanalyzeboutthispaperfrommixedcharacteristicsofstyle、complicatedstructuresandplayingtechniquesthesethreeparts.ThegoalistohelppianistaftersearchingdeepersothatthepianistcanusecorrectplayingmethodtoperformthispieceafterunderstandtheintensionofChopin’sPolanddance.Keywords:Chopin;Polonaise-Fantaisie;style;structure;playingtechniqueII目录摘要................................................................IAbstract............................................................II第1章绪论.........................................................11.1波兰舞曲体裁概述..............................................11.2幻想性风格元素在肖邦作品中的体现..............................21.2.1调性色彩上的丰富..........................................31.2.2多段落风格的交错..........................................51.2.3主题音型的变奏............................................71.2.4“叹息”式音乐语汇的运用.................................101.2.5旋律线条半音化的运用.....................................111.2.6即兴性风格的运用.........................................12第2章《幻想波兰舞曲》的风格特征..................................132.1混合性体裁风格.............................................
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