袁宗道的文学看法及其创作实践研讨.pdfVIP

华 中 科 技 大 学 硕 士 论 文 摘 要 明代中后期，随着前后七子先后在文坛上谢幕，复古模拟的文风由盛转衰，求 变求新的思潮蔚然兴起。袁宗道作为“公安三袁”中的老大，以独到的眼光和巨大 的勇气发他人所未发，为“公安三袁”在这种新思潮中跃居执文坛之牛耳的位置， 起到了骅骝开启的作用。 本文从三个方面来探讨袁宗道的“变道”的文学思想：古今新变的文学发展观、 “本色”“求真”的文学创作论、“文如其人”的文学风格论。袁宗道不仅提出了这 种“变道”的文学思想,而且还把它应用到创作实践中来。他的诗文创作透露出了作 者本人“出仕入仕”的内心冲突,体现了冲淡质朴的审美风格，突出了简洁新颖的艺 术追求,这和他的文学观念正是相互印证的。文学观念的形成和创作实践的进行都是 有一定的渊源的,本文接着就从哲学渊源和文化渊源两个方面对袁宗道的文学观念 的形成进行了分析和探讨。由此可以看出，袁宗道的文学观念的形成及其在创作实 践的运用都是有着某种必然性的。 最后,本文集中探讨了袁宗道对公安派的影响以及他对中国古代文学发展的历 史贡献。 关键词：袁宗道 文学观念 创作实践 思想渊源 开启之功 II 华 中 科 技 大 学 硕 士 论 文 Abstract During the mid and late part of the Dynasty Ming, there are seven persons mounts the stage ends on the literary arena successively. The culture style of restores the old became fade but the ideological trend of pursue changes and newly prosperous. As the elder of the three Yuanophyllum brothers, Yuan ZongDao draws up his gateway with the courage which other people have not had and proposes the new thought t of “changes”, which played the red steed opening role. This article discuss the literature thought of “changes” of Yuan ZongDao with the follow three aspects: Literature development view of the ancient and modern changes 、 Literature creative view of “ true color”“ pursue true” 、 Literature style view of “Style shows the man” . Yuan ZongDao not only proposes the literature thought of “changes” , but also apply it into his creation practice. His poets creation shows his innermost feelings conflict of “out official and enter official ”, manifests