世俗和超越——黄金时代荷兰静物画视觉性刍议-secularity and transcendence - on the visual nature of dutch still life paintings in the golden age.docxVIP

四川美术学院硕士学位英文 四川美术学院硕士学位 英文摘要 PAGE IV PAGE IV 万方数据 SECULARITYTRANSCENDENT MY VIEWS ON VISUAL PERCEPTION OF STILL LIFE PAINTINGS IN NETHERLANDS’ GOLDEN AGE ABSTRACT Since the Middle Ages, as the humanism and capitalism emerge, the secularization of Western society is more and more obvious. There are gradually increased realism factors in painting. Commercial development makes the circulation patterns of art change, the emerging wealthy are into collection link, which provides the material basis for the development of secular subject matter. The Crusades has brought continuing changes to social structure. The commercial cities appear and the new citizen class appears under the economic development. Combined with economic development, humanism and the Renaissance promote the importance of humans. Religious reformation driven by nationalism has brought changes in values to Europe, which has provided source of legitimacy to paintings with secular subject matter. The author in this paper attempts to use the comprehensive perspective to interpret the still life tradition of Dutch and conducts semantic analysis on works on the interpretation of the basic types of art. From the market paintings to hunting and to kitchen breakfast type, this series focuses on expounding the characteristic of secularization. And in the end, the author extends the desire for reflection. And then the author describes the capitalist values with the natural flowers, and enters the semantic excavation of persuasive type through uncertainty of the value. There are a lot of transition forms in still life styles of the early stage and the typical still life paintings, such as paintings depicting the market directly, they can also be classified in the category of genre painting, but they are different from typical genre paintings, in which still life occupies the dominant position, the appearance of characters is just foiling and need for scenarios, which is European painting tradition preferring for