试论实验影像中的潜意识象征元素——对当代电子音乐的动画影像的历史研究-on subconscious symbolic elements in experimental images - a historical study of animated images of contemporary electronic music.docxVIP

中文摘要艺术与心理学从来没有分开过，自西格蒙德·弗洛伊德创立精神分析法以来，这种联系性更是有迹可循。卡尔·古斯塔夫·荣格为我们揭示了这样一个可能性，每个人的潜意识深处存在着集体潜意识，那里刻画着我们的原始经验与记忆。原型的表达机制是象征，原型通过象征来表达自身，而真正的艺术是集体无意识的象征，正是艺术作为补偿，调节了每个时代的特殊偏见和精神疾病。实验影像是最为接近梦的形式，也是最能表现创作者主观角度的表达媒介。本文通过对1960年代的激浪派影像和2005年代电子音乐的动画MV的比较研究，试图找出和比较两者的象征元素，继而挖掘艺术家的潜意识，联系其时代背景来作出讨论。现下这个时代的精神疲乏造就了越来越多的为视觉冲击而成的商品，电子音乐的动画影像即是如此，其主观性，商品性，娱乐性都表示它适合活在这个年代。关键词：集体潜意识；激浪派影像；感应;幻觉模式IAbstractArtandpsychologyhaveneverbeenseparated.SinceFreudfoundedpsychoanalysis,suchconnectednesscouldbetracked.Jungrevealedsuchapossibility,inthedeepofeveryone’ssubconsciousexiststhecollectiveunconscious,wherebearsouroriginalexperienceandmemories.Theexpressionmechanismofarchetypeissymbol,archetypethroughsymboltoexpress.Therealartisasymbolofthecollectiveunconscious.Itisartasacompensationtoadjustspecialbiasesamentalillnessineveryage.Experimentalvideosnotonlybecametheclosestformtothedream,butalsobethebestmediumofexpressionforcreatorstopresenttheirsubjectivepointofview.Bycomparingfluxfilms(1960s)andcontemporaryelectronicmusicvisualizationanimation/video,wecanfindsomesamesymbolstodiscerntheartist’sunconsciousnessandcontacttheirhistoricalbackgroundtomakediscussion.Thementalfatigueinthisagecreatesagrowingnumberofcommercialgoodsmadeforvisualimpact,soaselectronicmusicvisualizationanimation/video.Itssuperiorityincludessubjectivity,commodityandentertainingwhichcanhelpittosurviveinthefuture.Keywords:CollectiveUnconscious;Fluxfilms;Correspondence;VisionaryIIIII目录摘要...................................................................IAbstract................................................................II目录..................................................................IV引言...................................................................1一、潜意识与实验影像的相关释义...........................................31.1潜意识的释义................................................................31.1.1追溯集体潜意识........................................................31.1.2潜意识理论的研究发展..................................................41.2