东北二人转的文化人类学解读-中国现当代文学专业论文.docxVIP

中文摘要 二人转是在我国东北地区土生土长，历经三百多年的流传变迁和创新改良而 形成的一种独具东北地域特色的民间小戏。近年来，随着二人转表演范围扩大和 形式变化，这种“草根文化”逐渐从乡村进入都市，从下层融入上层，赢得国内 外各阶层文化群体的认同和广大社会观众的喜爱。本篇论文借用文化人类学和民 俗学的基本理论，对二人转艺术的宗教起源、历史发展、地域特色、文化传承心 理、情境行为、文化内涵及发展前景等方面进行了分析。其一，借用原型理论和 巫术理论对二人转的源流变迁、表演模式、文化原型等进行本体分析，认为二人 转特有的男女二人表演模式与古代生殖崇拜、萨满舞蹈有直接关联；其二，通过 对二人转传承区域的文化语境和文化心理分析，认为东北特有的自然结构、民俗 风情、大众接受心理，是二人转形成的重要文化基础；其三，通过对二人转艺术 表演中的动作舞蹈、习惯用语、情境行为以及狂欢表演形式分析，探讨了二人转 表演的艺术价值和深层魅力；最后，运用数据统计方法，对二人转表演的“现代 化”、“非地方化”、“去粗俗化”等发展走向进行量化分析，指出二人转传承、发 展的前景就是产业化。 关键词：二人转 人类学 民俗学 地域文化 产业化 Abstract Originating in the northwest of China, Errenzhuan is a special folk mini drama with more than 300-year development and innovation. In recent years, with the change and enlargement of Errenzhuan, this “grassroots culture” has entered into urban life and earned the acceptance and acknowledgement of all the domestic and foreign audience and intellectual. Based on the theory of anthropology and folklore, this paper analyzed the religion origin, historical development, regional feature, cultural inheritance, circumstance behavior, cultural connotation and developing prospect etc. of Errenzhuan. Firstly, referring to the theory of prototype and witchcraft, the author analyzed school transition, acting modes and cultural model of Errenzhuan context, and then drew the conclusion that the unique man-woman acting modes of Errenzhuan directly associated with the ancient reproduction worship and Shaman Dance. Secondly, by the analysis of cultural context and psychology in Errenzhuan’s inheritance region, the author believes that the unique natural structure, folk customs and public acceptance was the bases of the development of Errenzhuan. Thirdly, by analyzing the dancing action, idiomatic expressions, circumstance action and revelry playing form in the Errenzhuan art play, the paper discussed the art value and deeper charm of Errenzhuan. Fourthly, applying the method of statistics to quantitatively analyze the developing trend of modernization, non-localization and