当代观念摄影表现方法的实践与思考顾欣.docVIP

当代观念摄影表现方法的实践与思考 中文提要 本研究从观念摄影的概念出发，在分析国内学者关于观念摄影的理解的基础上，尝试对观念摄影作出了自己的定义，并简要分析了观念摄影的出现对于摄影与当代艺术的意义。在此基础上，结合对一些较有影响的观念摄影作品的分析对观念摄影的主要创作手段进行了梳理与分析。文章最后提出了笔者对于观念摄影的特点与评价标准，以及观念摄影的未来发展趋势的思考。 关键词：观念摄影 表现方法 实践 思考 作 者：顾 欣 指导教师：张朋川 The Practice and Thought on Expression of The Contemporary Conceptual Photography Abstract In this study the author try to give a definition to “conceptual photography” on thebase of national scholars’ opinion. Then analyses briefly the status and meaning ofconceptual photography in the field of photography and modern arts. On this basis as themain body of this thesis combining with some vivid photographic works of worksconceptual photography the author summarize and classify the main means of conceptualphotography. At the end of this thesis the author proposed some personal thought andopinions about the characteristics and evaluation criteria of conceptual photography andAnalysis of the developmental trends in the future. Keywords: Conceptual Photography Expression Practice Thought Written by Gu Xin， Supervised by Zhang Peng Chuan 目 录引 言....................................................................................................................................1一、观念摄影的概念............................................................................................................3二、观念摄影在摄影及当代艺术中的地位与意义............................................................6三、观念摄影的主要表现方法............................................................................................8 （一）选择性的纪实归纳.............................................................................................8 （二）摆拍................................................................................................................... 11 1、同类并置.......................................................................................................... 11 2、模仿经典..........................................................................................................12 3、模拟、置景..................