杨如意在现实与道德之间略论中国当代民俗油画现状及未来存在的意义.docVIP

在现实与道德之间略论中国当代民俗油画现状及未来存在的意义 PAGE V PAGE PAGE III 论文题目：在现实与道德之间 略论中国当代民俗油画现状及未来存在的意义 专 业：美术学 硕 士 生： __________ 指导教师： __________ 摘 要 本文立足当代，探讨了民俗画与现实生活的关系，中国当代民俗油画的现状及未来存在的意义。简要介绍了民俗、民俗油画的涵义及其产生与发展，并且对中国当代民俗油画的现状进行了一些思考。 文章从四个方面进行论述：第一部分，关于民俗和民俗油画。对民俗、民俗油画的涵义进行解释，进而对其产生和发展做了简要的阐述；第二部分，中国民俗油画的出现和发展。中国的民俗油画大约始于上个世纪80年代，受勃鲁盖尔及荷兰画派的影响比较大。因此，中国的民俗油画从形式和内容上来看，是荷兰民俗油画的本土化和民族化。民俗油画以普通人的日常生活为题材，是日常生活的颂歌。也是对世俗生活的呈现和对人性的呼唤。第三部分，立足当代，主要对中国当代民俗油画现状分析，对主要民俗油画家和作品做了深入的分析后，总结了中国民俗油画存在的问题和解决方法。第四部分，是对中国当代民俗油画生存空间的展望与未来现实意义的探讨。最后得出结论，在经济全球化与文化大融合的当代，中国城乡一体化的进程的加快，城市化、城镇化对民俗画来说是根本的挑战，残酷的现实面前，民俗油画的发展受到前所未有的挑战。 关 键 词：民俗油画 现实 人性 研究类型：应用研究 Subject: between reality and morality ?????????????? On the status quo of contemporary folk paintings and future presence in China Specalty: Fine Arts Name: __________ Instructor: __________ Abstract This article is based contemporary, mainly describes the current situation and future of Chinese genre painting the meaning of existence, briefly introduced the folk, genre paintings meaning and the emergence and development, and the status of Chinese contemporary genre paintings done some thinking. Articles are discussed from four aspects: Part I, about the folk custom and genre painting. The folk, folk paintings interpret the meaning, and then made a brief exposition of its emergence and development; Part II, the emergence and development of Chinese genre painting , genre painting originated in the Netherlands, Chinese genre painting began about previous in the 1980s, influenced by Brvegel is relatively large. Therefore, from the point of view of form and content, Chinese genre painting is Holland genre painting of the localization and nationalization. Genre painting with the theme of the daily lives of ordinary people, is an ode to everyday life. Is also presented and secular life for human nature. Part III, based on contemporary, mainly on the status of contemporary Chinese genre painting analysis, a number of g