墨色交融2c天地相映——我的创作感悟.pdfVIP

Colorblending,andintegrationof mycreationinspiration Abstract If is a Chinese painting is like clouds and flowing water, knot with heaven,earthandpeoplemovementofthelonghistory,duringwhichChina were woven into the history of many complex category, or Taoism or Confucianism or Buddhism, will this line stretch, twist, make it long, excitement,everythingchanges.AndtraditionalChinesepaintingcreationis the painter use at ordinary times painting skills, prototype material accumulatedinestablishedunder the guidanceofthe conceptofart,the art practice. It should include the preparation of creation and creative steps, results,reflectingcertaincreativethinking,creativemethod. Intheprocess oftraditional Chinesepainting creation,Ideeplyfeelthe artistic creation should keep pace with The Times, cant always stick to traditional painting. In the landscape painting creation, in addition to ink, bold colors,thepursuit ofimages, artisticconception andinnovation atthe same time, to seize the aesthetics of The Times, make the works vivid modernanddonotbreakoldlaws,therefore,thelandscapepaintingcreation abilityonthebasisofcontinuationofpioneeringsignificance. Keywords:Chinapainting inkandcolor innovation integration ； ； ； 目 前 言1 一、墨与色的关系2 （一）中国山水画中的笔墨情趣2 （二）墨与色融合的代表人物2 二、墨与色的融合4 （一）西方绘画色彩观在中国画中的运用4 （二）墨与色融合的时代性与重要性4 三、创作感悟6 （一）自己的学习经历与心得体会6 （二）结合自己的平时创作浅谈光线对墨与色融合的影响7 1、光线对笔墨绘画的影响7 2、光线在墨与色融合中的运用7 （三）毕业创作感悟8 （四）总结自己的一些创作建议和期望9 结 语10 主要参考文献11 致 谢12 附：本人研究生期间论文发表及获奖情况一览表1 附 图14 前 言 由于当前多元文化语境的影响，形成了多种多样的艺术观念和艺术表现形式， 而中国画是一个有着悠久历史文化的传统画种，无论是传统山水画还是人物画，墨 的运用在其中占有重要地位，通过许多艺术家的大量实践和不断探索，在传统水墨 画的基础上大胆的运用色彩，突出色彩的地位，从而改变了传统文人画以水墨为主 的古典形态。因此，