华喦山水画分析-艺术学、美术学专业论文.docxVIP

I I 摘 要 摘 要 清初统治集团极力用各种的方法巩固自己的统治，采取了“文字狱”等残酷的手 段，这样的策略使得大批的知识分子把自己的精力转向文艺研究。生于清前期的华喦 （1682—1756），因其绘画上的独特成就，成为后世瞩目的对象。他师法古人也师法近 人，花鸟画取得了很高的成就。然而在当时“四王”画风依然风靡的时代，华喦山水 画取得了一定的艺术成就。其用笔迟涩不乏灵动，惜墨如金不乏丰富变化，构图沉稳 不乏精细剪裁，整体透出生动灵活而又有现实气息的艺术特色。华喦出生布衣，终身 未仕，具有清前期职业画家文人化的特点，其“刷尘”、“离垢”等独特的美学思想深 深的影响到了他的山水画创作，使得他的山水画在“扬州画派”当中独树一帜，并对 后世产生了持续的影响。 关键词：华喦 山水画 离垢 II II Abstract Abstract In the early stage of Qing dynasty, the ruler use everything to strengthen their regime, which like “Wen Zi Yu”, this way leave the intellectual turn to literary and art studies. Hua Yan who was born in this period, because of the painting achievement, became the focus of descendant. Hua Yan who learn from not only the ancients but also contemporary painter, get the high achievement in flowers and birds painting. Although “Si wang” painting style is the mainstream in this stage, Hua Yan also get the high achievement in landscape painting. Hua Yan’s painting which use the chinese brush every obscure, don’t use many ink but change rich, the composition is composed but fine tailoring, and this painting is vivid and flexible which also have realism style. Hua Yan who was born in ordinary families, never get the work in the government, and his painting style which like “Intellectual painting” ,with his aesthetic ideology like “Shua Chen” and “li Gou” affect his landscape painting, which also leave him became the focus of “Yang Zhou School”, and affect the descendant. Key words: Hua Yan landscape painting li Gou III III 目 录 目 录 引 言1 第 1 章 清初画家华喦 3 1.1 人物山水画 4 1.2 清新秀润的山水画 9 第 2 章 华喦山水画的艺术风格及其艺术思想 18 2.1 华喦山水画的艺术风格 18 2.1.1 用笔之“迟” 18 2.1.2 用墨之“韵” 19 2.1.3 布局之“妙” 24 2.2 华喦的艺术思想 27 2.2.1“离垢”的思想 27 2.2.2 勤于治学的思想 29 第 3 章 华喦山水画的成就及其影响 32 3.1 华喦山水画的成就 32 3.2 华喦的影响 34 结 语 37 参考文献 38 致 谢 40 PAGE PAGE 1 引 言 引 言 清朝是中国少有的外族入侵的朝代，“夷夏之防”是知识分子骨子里无法摆脱的阴 影，然而统治集团采取的“文字狱”等手段使得知识分子被迫将自己的注意力转向了 文艺方面的研究，使得清初的学术思想产生了巨大的变化，同时也刺激了绘画的发展。 “四王”、“四僧”都在绘画方面取得了较高的成就，后继的“扬州画派”更是以一种 全新的姿态为画坛注入了一股新鲜的空气。华喦（1682—1756），作为“扬州画派