中国书法书体演变史.PPT

颜真卿（Yan Zhenqing, 709-784) 拜师以后，张旭却没有透露半点书法秘诀。他只是给颜真卿介绍了一些名家字帖，简单地指点一下字贴的特点，让颜真卿临摹。有时候，他带着颜真卿去爬山，去游水，去赶集、看戏，回家后又让颜真卿练字，或看他挥毫疾书。 Yan Zhengqing regarded the regular script as the most standard form of handwriting, for it was “steady, clear, and easy to use.” It was the kind of script people used when making copies, and in time it became the model for the printed script of the Song Dynasty. It was a form of handwriting that everybody could learn and use, which is of course very different from the crazy cursive script of the prime Tang. Traditionally one praised handwriting of Wang Xizhi and Wang Xianzhi, which lean slight to one side with the left shoulder tilted, are graceful and varied in appearance, and free and flexible in style. Compare with it, Yan display a quite different spirit. His characters are basically symmetrical, like the frontal view of an object, executed in simple and vigorous strokes, square in shape, solemn, oderly, and impressive. The modern Chinese historian Fan Wenlan, in A Concise History of China, says:? The people of the Song learnt from Yan Zhengqing in the same way as the people of the early Tang regarded Wang Xizhi and Wang Xianzhi as their master. The line “calligraphy values the hard and thin”(书贵瘦硬方通神) in one of Du Fu’s poems was an old criterion when Yan’s calligraphy was not yet know to the world. Su Shi’s remark, “Du Fu says that calligraphy stressed the hard and thin, but I will not abide by this statement for it is unfair.” Reflects the new criterion after Yan’ calligraphy became popular. 七、楷书 现在通行的汉字手写正体字，它是由隶书演变来的，也叫正楷、真书。始于汉末，通行至今，长盛不衰。 特点：章法规整、结构严谨，体势上呈长方，笔画平直、均匀。 颜筋柳骨 颜真卿 柳公权 ?For individual stroke, Yan adopted the rule of “thin horizontal and thick vertical strokes”; strokes’ widths were varied to show the curvature and flow, and the dots and oblique strokes were finished with sharp edges. And for the allocation of the blank, characters are compact vertically, leaving relatively more space in between lines. Hence, ?Ya