论《东庄图册的》在中国山水画史中的地位及影响分析.docxVIP

摘要中国传统绘画注重“抒发自我”，强调主观意的表现。画家们以此为审美理 摘要 中国传统绘画注重“抒发自我”，强调主观意的表现。画家们以此为审美理 念结合自身生活的境遇，所追求的艺术境界与思想情感则体现为幽深渺远、萧疏 荒寒之境界。而明朝中叶的社会变革、尤其是经济、文化的发展转变了画家的审 美思想，出现了恬淡幽静、抒写自然的风尚。沈周的《东庄图册》以这样的审美 理念对景物进行客观的描写，在前朝山水画传统的强势之下散发着平淡天真、纯 朴精美的时代气息，开创了吴门绘画的新风，更给予后人一种特有的美学价值及 审美启示。因此为了全面了解《东庄图册》，本文对当时的社会背景进行了深入 的探讨，并结合前代画家山水画创作与审美特征进行纵向比较，同时对沈周其他 作品进行横向比较，发现《东庄图册》客观纯粹的审美特征，以及在山水画创作 上构图、造景、笔墨技法上的创新，揭示了其对文徵明、华凸等画家创作和审美 上的影响。最后文中还探讨了其对当代山水画创作的启迪。 关键词 审美特征客观纯粹新风向启迪 Traditional Traditional Chinese painting emphasizes the subjective meaning of the performance and pay more attention to”express oneself’．The painters show their artistic state and emotions with deep thought and wide state that combmed aesthetic concept．As the development of economic and cultural transformation，the painter’S aesthetic thoughts appeared calm， quiet and natural style in the middle of the Ming dynasty．A famous painter named Shen Zhou，described scenery objectively with aesthetic idea in his“Dong Zhuang Atlas”which showed a style of plain naive， simple elegant era flavor under the background of traditional landscape painting and created the new style belongs to himself．It also implicates a unique aesthetic value to the future generations． In order to fully understand the”atlas”，this essay discussed the social background of that time and combined with the former generation painter landscape painting creation．Longitudinal comparison and horizontal comparison is used to find purely objective aesthetic characteristics in the”atlas”of Shen Zhou．This essay also discussed the composition of the landscape painting creation，landscape，pen and ink techniques innovation，that reveals Wen Zhiming and HuaYan’S aesthetic effects．Finally,it also discussed the enlightenment of Shen Zhou’S landscape painting creation． Ⅱ Keywords： Keywords： aesthetic characteristics， Objective pure， New style，Enlightenment III 目录摘要 目录 摘要 I ABSTRACT ．．II 引言：；I吾 ．1．1 第一章解析《东庄图册》 ．．2 第一节《东庄图册》创作时的社会背景 2 一江南世风的转变 2 二《东庄图册》创作时文人生存状态 ．．4 第二节 吴门画派的鼻祖沈