汉赋引《诗》考论-中国古代文学专业论文.docxVIP

哈尔滨师范大学硕士学位论文 哈尔滨师范大学硕士学位论文 万方数据 万方数据 HYPERLINK \l _bookmark0 哈尔滨师范大学硕士学位论文原创性声明 ················································ 53 HYPERLINK \l _bookmark1 哈尔滨师范大学硕士学位论文使用授权书 ················································ 53 HYPERLINK \l _bookmark2 致 谢 ······························································································ 54 摘 摘 要 万方数据 万方数据 摘 要 本文以汉赋用《诗》为切入点，考察汉赋与《诗经》的关系。汉赋用《诗》 以取辞、化用、论《诗》三种形式为主，内涵经学的引述与文学的接受两方面。 汉赋用《诗》既是对引《诗》传统的继承，同时又有着经学和文学的双重意义。 综观历代赋论，多将汉赋的文体、内容、形式归附于《诗经》。而这一传统从 汉人赋论中已见端倪。本文通过对汉赋用《诗》具体情形的考察，以五经博士制 度的建立为断限，将汉赋引《诗》分为三个时期考察，分别是西汉初期辞赋，西 汉中后期辞赋和东汉辞赋。《诗经》在两汉的传承相对复杂，存在今古文的差异， 但本文以汉赋引《诗》为考察重点，即赋家对诗学的整体接受情况。而四家诗的 差异只是文献学与语言文字层面的，从赋家用《诗》的视域考虑，无伤赋家融诗 于创作的讽喻主旨。虽各个时期的汉赋用《诗》无不打上了经学的烙印，但随着 汉赋抒情性和文学性的增强，在用《诗》时，对《诗经》的文学性接受也越来越 明显。虽然赋家对经学的《诗》之接受占据着主导的地位，是自觉的、有意而为 之的，而在具体的创作过程中，自觉或无意识的对《诗经》的文学性接受则越来 越明显，这体现了文学性用《诗》的必然性。这不仅对文学自觉的发展有着重大 的意义，在《诗经》文学接受史上也具有启示性的作用。 关键词 汉赋；《诗经》；经学阐释；文学阐释 I - Abstract This paper plans to find the relationship between Han Prosodies and The Book of Songs by using poems as the breakthrough point. Han Prosodies uses poem to have three main forms, which contains diction, quotation and discussion. The content has two aspects, which is literature significance. Meanwhile it’s also the inheriting of Poems. To wake a comprehensive survey,“most of the styles of Han Prosodies are submitted to the form, content, in ‘the book songs’”. And we can see some clues from fu theory of the Hans. This paper plans to do the research of Han Prosodies for three periods,which are the early western han dynasty Prosodies in the begining of xihan dynasity through the kind of investigation, with the construction of system. The inheriting of The Book of Songs in The western han dynasty in The eastern han dynasty is relatively complex. There has differences between the ancient and the recent. While this paper takes QUOTATING“THE BOOK OF SONGS”OF HAN PROSODIES as the key point to discuss the generally acception to