郭熙“三远”之美学解析-文艺学·美学专业论文.docxVIP

摘 摘 要 《林泉高致集》是中国山水画史上极为重要的一部理论著作，其 成书于北宋，由郭思根据其父郭熙生前言论整理而成。书中提出了许 多绘画美学范畴及命题，其中“三远”是大家耳熟能详、最为彰显中 华传统文化色彩的范畴之一。 本文内容共分五个部分，第一部分为引言，开篇引用“三远的 经典原文，然后介绍郭熙画作和画论的概况以及后人对郭熙画论尤其 是“三远的研究状况；第二部分为本文的第一章，着重探讨了“远 的绘画美学渊源及发展；第三部分从审美功能、审美观照、审美创作 等方面分析了郭熙的美学思想，并对“三远”进行了定位，“三远” 融观察、构图、创作于一体，是山水画的艺术规则；．第四部分是本文 的重点，通过考察郭熙所处时代的思想背景、他本人的经历以及山水 画与人的精神品格的对应关系，详细阐述了‘二三远中蕴含的儒、道、 禅美学内涵，随后评析郭熙画论尤其是“三远的美学意义，其中提 到了郭熙“尚平远这一审美偏好对后世山水画创作的导引；结语部 分表明对郭熙画论的研究很有价值，“三远”是值得无限挖掘的一个 美学范畴。 为了写好此文，本人既仔细研读了文本，又借鉴了二些他人的研 究成果，对郭熙的绘画美学思想有了全面的了解，能较为系统地分析 “三远”的美学内涵是本人这次创作的最大收获。 关键词郭熙，三远，山水画，美学，儒道禅美学内涵 AB AB STRACT ’Lin Quan Gao Zhiis a very important theory book in the history of Chinese landscape painting，It’S a book written by Gu o-．si According to his father Gu o‘。xis remarks in the Be 1‘。song Dynasty．Many concepts and aesthetic proposition about painting were raised in the book，andSan —yuan¨is one of the most familiar concept in all of them which could delegate Chinese traditional culture． This paper is divided into five sections．The first section is the introduction，in which the San—yuan¨iS cited，then Gu 0一xis paintings、his theory on paintings and some research work on“San— yuan”were introduced；In the Part II，the painting aesthetic roots and the development on the’yuan’’will be discussed firstly；The third part analyses the aesthetic thought of Gu o—xi from the aesthetic function， aesthetic creation，etc．then give a definition to¨San—yuan it．¨San— yuan”syncretize the characteristic of observation，composition，and creativity and it is the rules for the art of landscape painting；Part IV is the focus of this paper,the aesthetic connotation of Confucianism，Taoism and Zen contained in”San—yuan”will be expatiated according to inspection of Gu o—xis ideological background of the times，and his own experience，as well as corresponding relations between landscapes and the character of people，then in the evaluation of’’San—yuan which referred to the¨Shang—ping—yuan¨aesthetic preferences of Guo—x／iS to b