绘画过程的现象学探索与研究-设计艺术学专业论文.docxVIP

沈阳航空工业学院硕士学位论文摘要 沈阳航空工业学院硕士学位论文 摘要 一般的艺术哲学对于绘画的理解与作为绘画实践者对绘画的理解是存在差异的。没 有实践的理论见解往往力不从心，而大多艺术家自己的论述在理论表达方面比较零散， 在对绘画的理解中，这两者有必要结合在一起。因为作为理论如果没有足够的实践显然 会与事实脱节，从而显得僵硬和空洞。本文力图从绘画过程出发来更好地理解绘画活动 以及它的最终产品一绘画作品。通过绘画实践，我们可以理解到以往画家的创作方式隐 藏在他们的作品中，我们希望还原绘画作为一种实践的本来面貌，那么，我们使用的方 法也只能是现象学的。现象学力图做到“回到事物本身”，终止任何带有遮蔽性的判断， 这种方法更加适合考察绘画过程。因为我们将设法描述绘画过程中内在的经验，也必将 忠实于产生这种经验的原由。本文将从绘画作品是如何被创作开始，通过对画家意向性 的考察来说明使用现象学方法研究绘画过程的必要性，接下来我们将从画家与绘画材料 及其使用的关系的现象方面、绘画造型元素在绘画中应用的现象方面、具象元素在绘画 中应用的现象方面以及绘画效果和绘画作品一致性如何产生的现象方面、作为观众对于 绘画的理解方面来考察整个绘画过程，以期使整个绘画过程得到清晰的展现，纠正一些 绘画理论上对真实绘画理解的偏差。 关键词：绘画过程意向性现象造型元素具象元素效果 AbstractThe Abstract The understanding of painting between common philosophy of Arts and the painting practitioners has great differences．The theory without practice is always not within one’S power,while most of the artists’theories are scattered when they are expressed．To the understanding of painting，it is necessary to combine these two aspects together,because as a theory if there’S not enough practice it will disjoint the fact，and seems renitent or barren． This article tries to understand the activity of painting and its final prI)ducts．———-paints through the process of painting．Through the practice，we can understand that the ago painters concealed their inventing styles in their products．Also，we want to revert the real visage of painting as a kind of practice．So，we can only use phenomenological method． Phenomenology strives to come back to itself of the thing，and end the judgment with masks． This method is more suitable to inspect the process of painting，because we will try to describe the inner experience of the process，also we will be faithful to the seed of this experience．This article will begin with how a painting is created to explain the necessary of using phenomenological method to investigate the process of painting，by investigating the painter’S intentionality．And then we will investigate the whole process by the relationship of the painter and his painting material，the supply o