中国古典园林风雨声景的空间营造手法探析.pdfVIP

ISSUE 5 OCT. 2018 / JOURNAL OF HUMAN SETTLEMENTS IN WEST CHINA / 058 ◎中国古典园林研究 DOI: 10.13791/ki.hsfwest DOI: 10.13791/ki.hsfwest 谢辉, 杨森琪, 葛煜喆. 中国古典园林风、雨声景的空间营造手法探析[J]. 西部人居环境学刊, 2018, 33(5): 58-63. 中国古典园林风、雨声景的空间营造手法探析* The Spatial Creation Approach of Windscape and Rainscape in Chinese Traditional Gardens 谢 辉 杨森琪 葛煜喆 XIE HuiYANG Senqi, GE Yuzhe 摘 要 风雨作为自然环境中常见的气候要 Abstract: Wind and rain are common climatic elements in the natural environment, and 素，其声景营造是中国古典园林艺术的重要 their soundscape are important components of the Chinese classical garden art. This paper 组成部分。本文从声源、空间环境、接收点 analyzed the related examples of windscape and rainscape, from three aspects of sound source, 三个方面，结合风、雨声景的实例分析，探究 environment and receiving point, and explored the creation approach of windscape and rainscape. 风、雨声景的营造手法。声源方面，风雨多借 In terms of sound sources, the wind and rain reply on plants to generate sounds, whereas the 植物以发声，仿乐器设构筑物而发声；空间环 imitated musical instruments set up structures to make sounds. In terms of environment, the 境方面，常以声源围合接收点，其他材料提供 sound source is often used to surround the receiving point, and other materials provide refl ective 反射声；接收点上，建筑多设大面积花窗，接 sounds. Regarding the receiving point, the building in the Chinese garden often has a large 收点的空间层次较为丰富。 number of ornamental windows, with rich layered spaces. 关键词 中国古典园林；风声景；雨声景； Keywords: Chinese Traditional Garden; Windscape; Rainscape; Spatial Transmission 空间传播 0  引  言 声景（soundscape）这一概念最早于20世纪60年代由加拿大作曲家R 莫雷·沙弗尔（R Murray Schafer）提出[1] 。在中国古典园林之中，造园家们早已有意识地营造声景。中国古典 园林